Tag Archives: Ideology

The best time to deactivate your Facebook account is now

 

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Perhaps, over the years, American society has found a disconnect with being connected. This goes beyond the scope of the human and technology relationship, especially when plugging in disconnects us more and more from reality. We have created avatars of ourselves on platforms that get paid to have us there. Our pictures and our likes and our posts and our art are free advertisements, and you should get paid for what you do, really, and you should hold those that profit off of your media accountable.

The lens of what we see through our eyes is a special and unique one, true to us. Our voice through an instant platforms give us a sense of being, a sense of place in a connected world. Our art shared and receiving likes gives us a sense of importance. Our lens of focus is enacted and descrying those interactions. One, a sense, that like wine, gathers new notes and qualities throughout the years. We see things as we like to see them. The media we post about ourselves does not actually reflect who we are but who we want to become.

And that is the assumption, that the platform is pure and innocent–something that we can create ourselves as we imagine ourselves on. We see pictures and posts and ideas and politics and these change our minds assumed unobscured. All of these ideas are brought to us through and unnatural lens, a lens paid for by lobbyists, or political parties, or foreign governments, or massive corporations. If Facebook is where you get your news, then your news is skewed by the aforementioned; your idea is formed through the lens of capitalism, of marketing to your demographic.

This is all a bit scary when we realize objective observation is a made up idea of which you cannot understand beyond the thoughts in your head, this relates to Facebook. Especially then, in that framework, language is rooted in history making it not your unique idea: your words on not your words. (You don’t think in made up languages; perhaps you think in English, Spanish, or German) Further, take recently, Facebook announced they were paid by Russia to place ads on their platform; therefore, everything is touched by everything and related. Had this transaction been carried out by a politician it would have been a deplorable offense. Because we are part of it, through social media, we are accountable and involved. Accomplice. The CEO of Facebook admitted this, the idea of taking money to place ads. Said “we” would work harder at vetting these messages. That is all of us and our words.

Furthermore, if the message of these real advertisements is out there with “fake news” how is one to get beyond that? We are fake people living in a fake world. The toilet paper you buy, because of the advertisement you witnessed on Facebook, reinforces the reality of the “fake news” story, making it present real in a skewed lens. It may seem like a fallacy but the shampoo you bought is real, the ad you saw for that product was real, making the news story you saw exist in that same genre: in a realistic hue. Or visa versa, the political ad you saw on Facebook was fake but the news was actually real. How much research did you put into finding out the truth of both? At least you know the shampoo works. I say, share that headline, it’s from CNN.

The lens we think in is through social media, like language, it is not our own, and that media is owned by someone else, by a capitalistic entity. Our language, art, media, comments and posts are dictated by a media that sets you within a certain category, living within a framework designed and restricted by others. Go outside of this category allotment and face banishment, hatred, expulsion, and unsavory marks at your character, image, or likeness. Stay within it and you become homogeneous, enjoyed by others, there is a sense of worth, community. But is that worth real or contrived? Is that worth valuable when you realize you are a pawn for marketers, and a company which may have swung an election, may have profited off of your existence?

If you want to move beyond this compromised platform, now is the time to unplug, deactivate as I have. End your Facebook account for the idea that you are outside of the box. I feel a bit outside of that square because I did it. The story of my deactivation: Facebook had a class-action lawsuit against them (Fraley vs. Facebook) because they used my likeness without my permission, and the likeness of 150,000 unaware others. I, well we, became an ironic advertisement we knew nothing about. I struggled with the deactivation, had to download all my photos again but eventually I succeeded. I feel much better not being in something presumed innocent but exists as something entirely different, while totally accepted as the former.

Facebook presents as simple, transparent, honest, easy, thoughtful, and benevolent. Many media outlets use Facebook, push accounts and stories. Newspapers have Facebook pages, we get stories from Facebook; a summer back Facebook Live started a social media movement. Those movements are latent effects, the manifest effect is the profits. What you might not understand is that visibility is lucrative to companies. These entities are making money off of ads–ads which might be bought by foreign governments, to trick you to buy something or to carry on with some contemporary idea. They want you to see it through their lens, the lens that profits for them, the lens of distraction and complacence.

Social media, in theory, may be a great idea, we are brought closer to places, people, and things we love, we get information immediately, we are privy to every detail. Or we are privy to the details entities allow us to see. That is so easy. So easy, why change? Well, when the platform crashes and everything you own on that platform is compromised–which is nothing, you will have nothing to show for it. Someone else will: their loss. That is why the time is now to deactivate and live your life free of the lens you forces upon yourself. Free to say and think what you mean outside of the capitalistic realm presented. Imagine not needing a CEO to align you with your thoughts. Plug into your new-old platform: real-life.

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Turn off, tune out: how the media creates the problems their pharmaceutical commercials claim they can cure, just ask your doctor


I had’t thought about it much until my phone broke. Bullshit black-screen of death… I had no phone, I had nothing… Or so I thought, well, most would think this. I might have been wrong. It was great. And getting my phone back a week or so ago makes me want that no-phone situation back again.

The reason for that is the news, the constant reaching in my pocket to find my screen. Inevitably, now, I will be on my phone, pull something up, google search something and see hatred disguised as necessary, as justice. I will scan a newspaper website and I will find something like hate-ads that ask me to find these people and hate them too, ironically for hating.

The concept of turn off, tune out–or whatever catchphrase it was is nothing new. (I am sure I want to get away like everyone else. They could actually fake me in videos now.) In fact, it’s probably very old. It doesn’t matter. But try it. Shut the phone off. Just the phone. Watch a movie and take a walk. Maybe shut the television off too.

We could scroll Facebook, Reddit, Twitter, Instagram for hours but we still find ourselves in the same place: sitting between up and down, looking for what’s next, constantly moving towards the end–if that is even possible. I don’t know. I think of how stupid it must feel to craft a post that would appease everyone that is in my friend group and those who are in my friend group who I don’t give a shit about… I wonder… Does this jive with my ideology? Or is it fake?

And the conclusion hit me today. I walked into a dark office in the afternoon and ran into someone who couldn’t believe the world news and how everything was internal struggle and meltdown, go figure. It was too much. The whole world was ending certainly.

Ah… but not here I thought. The world in this quiet dark office was very pleasant, nothing to bother anyone. Even the lights weren’t offensive and people weren’t playing music outside. It was fine. I told my friend I laughed at the nightly news; every new day was a new catastrophic drama-fest meltdown stoked by advertisements and distractionism. Something unreal.

And I calmed. Maybe I should add turn off the local news to the list. They are sponsored by something as well. There are hosts that will never get fired because of what they say they are, honest. There are stories that will never get covered because of what others say they are, different. And we can agree. Still, there is that button you can touch. Turn it off and take a much needed breath of air and just think for once.

Watch “HyperNormalisation 2016” on YouTube

Carol for Another Christmas

Ghost Dance (1983) – Ken McMullen

The Fear of Writing – Derrida

Project: Photograph Ireland

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1. A Literary Image: This photo represents literary works of Irish playwrights, specifically Synge and McDonagh, in The Riders to the Sea and The Beauty Queen of Leenane. This image captures the nature of these isolated islands, and a perspective only their inhabitants may have had; although this distant land is beautiful and cause for awe, it also imposes extreme desolation, and removal from society. What you see here represents the truth in beauty, its binary. Yes, the island of Inishmore is immensely inviting and quite wonderful to experience; however it brings one away from the Irish mainland and its society, and closer to one’s immediate community, for good or ill.

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2. Water: This photo of the River Liffey represents water, a basic human need, within Dublin, and throughout Ireland. The River Liffey flows through Ireland, dividing Dublin, and into the surrounding ocean. Ireland is surrounded entirely by water and made up of water within its largest city. Water is of the inhabitants; 60% of the human body is made up of water. The River Liffey is important as a port, in history, and for supplying water to the polis. It is a quintessential entity for the progress and existence of Dublin. Lastly, the River Liffey is adorned with beautiful bridges, wildlife, and people which offer to the culture of the city. The River Liffey gives life, as translation of the name suggests “An Life in Irish”.

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3. An Irish Architecture Feature: The doors. The Doors? No, not the band. The painted doors of Dublin, actually. In this photo the painted doors of Dublin symbolize divide within the country of Ireland, by way of blue and red paint: English/Irish, Catholic/Protestant, Male/Female, Fate/Decision, and Progressive/Tradition. By way of contrasting these two opposing colors on these two opposing doors, and showcasing their proximity, the viewer is looking into the entry way of a family, a culture, a lifestyle, at the difference in their neighbor, and their beliefs, and seeing life. Ireland to me, in this photo, represents how two people, two ideas, or two (or more) cultures of differing viewpoints can live, interact, and thrive next to one another, offering something unique and poignant to the community and city as a whole.