Tag Archives: View

BAE, See: The Art of Punk – Black Flag – Art + Music – MOCAtv

“The Birth of a Bee: 【希望のミツバチ】働きバチの誕生(”

Visually appealing with a spine-tingling overtone which will hold you to the end.
I appreciate the art of bees, I hope you do as well. Enjoy_

Project: Photograph Ireland

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1. A Literary Image: This photo represents literary works of Irish playwrights, specifically Synge and McDonagh, in The Riders to the Sea and The Beauty Queen of Leenane. This image captures the nature of these isolated islands, and a perspective only their inhabitants may have had; although this distant land is beautiful and cause for awe, it also imposes extreme desolation, and removal from society. What you see here represents the truth in beauty, its binary. Yes, the island of Inishmore is immensely inviting and quite wonderful to experience; however it brings one away from the Irish mainland and its society, and closer to one’s immediate community, for good or ill.

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2. Water: This photo of the River Liffey represents water, a basic human need, within Dublin, and throughout Ireland. The River Liffey flows through Ireland, dividing Dublin, and into the surrounding ocean. Ireland is surrounded entirely by water and made up of water within its largest city. Water is of the inhabitants; 60% of the human body is made up of water. The River Liffey is important as a port, in history, and for supplying water to the polis. It is a quintessential entity for the progress and existence of Dublin. Lastly, the River Liffey is adorned with beautiful bridges, wildlife, and people which offer to the culture of the city. The River Liffey gives life, as translation of the name suggests “An Life in Irish”.

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3. An Irish Architecture Feature: The doors. The Doors? No, not the band. The painted doors of Dublin, actually. In this photo the painted doors of Dublin symbolize divide within the country of Ireland, by way of blue and red paint: English/Irish, Catholic/Protestant, Male/Female, Fate/Decision, and Progressive/Tradition. By way of contrasting these two opposing colors on these two opposing doors, and showcasing their proximity, the viewer is looking into the entry way of a family, a culture, a lifestyle, at the difference in their neighbor, and their beliefs, and seeing life. Ireland to me, in this photo, represents how two people, two ideas, or two (or more) cultures of differing viewpoints can live, interact, and thrive next to one another, offering something unique and poignant to the community and city as a whole.

Children of Men; Is it Worth it?

Children of Men is an intense tale of the inability of humans to reproduce. It is set in a dystopian future. Children of Men is a harrowing cinematic wonder, which enacts long takes with few cuts, and an immensely beautiful, yet terrifying setting, contrasting modern battle grounds, and industry, with deep green landscapes. It seems the most poignant shots offer the least amount of cuts, and vast range. This movie offers opposite pars and poignant meaning in social critique of violence and birth.

Children of Men highlights the human condition: we strive to reproduce and pass along our heritage. Being unable to do this, we become depressed and despondent. The human race is setup against a fascist government and a terrorizing guerilla activist group, F.I.S.H. With the setting we are drawn into a world of binary design; one aspect of the world is city-centric, very much modern dystopian, the other is one closer to nature, deep, rich, and holistic. This dichotomy offers a reprieve from what seems an endless barrage of violent attacks which plague the city centers. With this the audience is offered two ideologies: 1) a world based off of free love, attempts at birth, and peace (Shanti Shanti Shanti), and 2) a world based off of violence, oppression, and control. What is offered in drastic contrast is played out tenfold in this move; we see comparisons between life and death, humans and animals, and peace and war. Doubling extremes keeps this film at a fast pace.

In each shot there is much movement and sharp narrative change. Some of the most intense scenes go from a whimsical playful stance to a tragic situation, or vice-versa, in mere moments; the car chase, the baby exiting the building in the middle of an artillery battle. What we see is two very different concepts placed next to one another. We have the love of humanity, wanting to reproduce, create, expand, share, love, and then juxtaposed that, we have death, violence and deception. The question one must ask during Children of Men is not whether we have the ability to reproduce, but whether we should reproduce.

The director of Children of Men is extremely clever. He pits light-hearted empathy with the most atrocious violence. One moment the audience is laughing, the next moment they are gasping in shock. Children of Men is not your run of the mill movie, but something exceptional, and riveting, with a greater meaning. By comparing life and death, peace and war, the director shows two sides of human nature. The film draws you in with humanity, and begs the question: with all of this destruction of life, is creating new life worth it?